The Lord of the Rings: Fate of the Fellowship

The Game

Fate of the Fellowship is a game I am keen to write about. When I first noticed it, my first thought was, what? Another Lord of the Rings game? Then I noticed the designer is Matt Leacock (Pandemic). As I read the rules, I noticed many elements which are similar to Pandemic. That got me curious. How does the Pandemic system work for a Lord of the Rings game? 

This is a cooperative game. To win the game, Frodo needs to get to Mount Doom to destroy the One Ring. In the game, this is presented as the last of four missions that the players must complete. The other three are randomly set up. All the missions are related to the story. For example, there is one mission in which you have to capture Isengard. Sorry I forgot to warn you that this post will have spoilers if you have not seen the movies or read the books. Too late! 

One of the missions

The final mission, which is always in play

Every player gets to play two characters from the story. On your turn, you get to use one character to perform four actions, and the other to perform just one action. After each player’s turn, cards are drawn for bad things to happen. This is just like Pandemic. There is an intense sense of urgency and a feeling of impending doom. The most common bad things which can happen are troops being raised in enemy strongholds and enemy troops marching towards ally strongholds. The board has a complex network of paths for enemy troops to move. All the paths start from an enemy stronghold and lead to an ally stronghold. However, because they crisscross, you cannot reliably predict how the troops will move. A group heading towards one stronghold might get hijacked by another card and change direction to another stronghold. It is important to battle enemy troops and prevent them from capturing ally strongholds because each time an ally stronghold falls, you lose two Hope. And Hope is the most important thing in the game. When you lose all Hope, you lose the game. Wow, this is motivational quote poster material. 

In Pandemic terms, Hope in this game is Outbreaks, but they are not exactly the same. In Pandemic the Outbreaks track is just a count of the number of Outbreaks that has happened. It will only ever increase. In Fate of the Fellowship, Hope can go up or down. Bad things will reduce Hope, but great feats like capturing an enemy stronghold increase Hope. In Pandemic there are three ways to lose, and you need to watch out for all of them. Here, these are all linked to Hope. When the draw deck runs out, you lose Hope for each card you must draw but can’t. When all enemy troops are deployed to the board and you need to deploy more, you lose Hope for each one you must deploy but can't. 

That ugly red splash is an ally stronghold captured by the enemy. Red are enemies, other colours are allies. 

All characters have unique powers, and it is absolutely crucial to utilise them well. In general, characters can move about the map to raise troops, lead troops to move (ally troops can’t move by themselves, they need to be commanded by a player character), order troops to fight. Cards come in four suits and are used in different ways. One suit is for raising troops, one is for die rerolls, one is for guaranteed kills during battle. Many character special abilities require cards in specific suits. Battles are resolved by die rolls. The dice determine how many ally and enemy troops are killed. 

You have Nazgûl’s in the game! They try to hunt down Frodo. They can be particularly deadly in battle. There is an Eye of Sauron token in the game, representing where the evil lord Sauron is paying attention to. Mostly Sauron wants to find the One Ring (which is with Frodo) and the Eye attracts Nazgûl to help hunt down Frodo. The Eye is attracted to where evil troops are being attacked. Sometimes you want to attack not for winning the battle but for distracting the Eye from Frodo and helping Frodo get to Mount Doom to destroy the ring. This is all very thematic. 

Frodo‘s mission is ultimately how you win. Carrying the ring is a constant burden and risk because unless Frodo discards a hiding icon card when moving, if there are enemy troops or Nazgûl where he is, he must roll dice and suffer bad effects. He can lose Hope this way and this may eventually cost you the game. 

The Play 

So far I have played four games, all on the easiest difficulty, and I have only won once. This game is hard! You have four missions to work towards. At the same time you must handle the merciless advance of enemy troops. This is more like War of the Ring than Reiner Knizia’s cooperative Lord of the Rings. At first I thought I should just focus on completing the missions as efficiently as possible. Battling was futile anyway. I felt it was more worthwhile to spend my efforts on destroying the ring. Boy how wrong I was! The military aspect cannot be neglected. In fact it is crucial to fight back to delay the deterioration of Hope in order to give Frodo a fighting chance. I found out that the good guys are actually pretty good at fighting. Many characters have abilities that help them battle. Legolas and Gimli do perform like Marvel superheroes. You have to fight and delay the advances of the enemy troops while at the same time make progress in your missions. 

I was very hardworking, more so than when I play Pandemic. I checked and noted down cards which were in the discard pile, so that when they were reshuffled back to the top of the deck, I had some idea what to expect next. I could better assess the risk of enemy troops attacking specific ally strongholds. 

I took this screenshot to keep track of cards in the discard pile.

I want to talk about this specific mission which must be completed at North Ithilien. You need to assemble ally units of three types in order to do this. North Ithilien is a space at the gates of Mordor, the enemy's heartland. 

The part of the story this mission relates to is how the allies assembled a somewhat big army to threaten Sauron. However Sauron has a much bigger army, and the resulting battle from the allies issuing this challenge is not expected to go well. The allies do this only to distract Sauron and to give Frodo a fighting chance to destroy the ring. This is a noble and heroic feat. This is about sacrifice for the greater good. 

Here you can see the allies are already sharing the North Ithilien space with some enemy (red) troops. Frodo and Sam are the yellow piece. In this game they always travel together and they are played as one character. Enemy troops are all over the place and it is hard for Frodo (and Sam) to avoid them. 

Now that the challenge to Sauron has been issued, all the enemy troops in Mordor congregated at Udun. You can't even read the text because it has been covered by enemy troops. Now Frodo has a clear path to Mount Doom. 

Enemy troops in Udun have advanced to North Ithilien, resulting in a huge battle. At the same time, Frodo sneaks into Mordor and heads towards Mount Doom. This last leg of the journey is difficult because many of the paths require discarding hiding (green) cards or tokens. 

Now we are at Mount Doom and Frodo attempts to destroy the ring. He must discard 5 ring (yellow) cards or tokens, and then do a final die roll. The number of dice depends on the Hope level, the lower your Hope, the more dice you must roll, which translates to a higher risk of failure. Managing the Hope level is crucial. You want to keep as high a Hope level as your can. 

This was my final die roll. All blanks meant I did not have to suffer any damage. The ring was destroyed, and we won! 

This is the die face distribution. Two thirds of the time you expect something bad to happen. 

Seeing this victory screen was a hugely satisfying moment for me. Woohoo! 

The Thoughts

I am amazed that the Pandemic framework works so well for Fate of the Fellowship. This is certainly not just pasting on a theme. There are many elements which makes this game different from others using the Pandemic system. The way enemies advance is from Pandemic: Fall of Rome, and it works well here. This is a Pandemic-system game that does not feel like Pandemic. This is a Lord of the Rings game. 

Fate of the Fellowship is a complex game. I would categorise it as a heavy game. It is highly thematic. If you like the source material, you will enjoy this a lot. There are many details you will appreciate. I find the game hard to win, and I think that's a good thing. That anxiety of not knowing whether you are going to survive is what makes the game exciting and engaging. 

I wonder whether the game will feel scripted after a while. So far of the four games I have played, we have been using the same set of mission cards, which showcase important events in the story. Due to the starting positions of the characters (which are fixed every game) and the locations of the missions, we generally complete them in sequence. Then it might feel like we are playing through the same story every game. However there are 24 mission cards in the game. The last mission is destroying the ring and that's fixed. So of the other three, you have 24 cards to randomise from. That sounds like a lot of variety. Also variability comes from the Shadow cards. Depending on how they turn up, the distribution of enemy troops on the board, and how they move, can be very different. Your own card draws will also shape the challenge presented to you. I am confident there is much replayability in this game. 

Giant Pandemic

Due to my work, I created a giant version of Pandemic. I made this for a team-building event. I asked younger daughter Chen Rui to draw a giant map based on the standard map. Most of the details were the same, but I needed it to be 6 feet by 4 feet. Looking at this photo you can't really tell how big the map is. You'll need to look at the map when placed in my sitting room next to the furniture. 

I needed the map to be big because I planned to have this activity accommodate 20 to 40 participants. The map needed to be big enough so that most participants could easily see the various details on the map. I did not change the game rules. The changes I made were in how this activity was to be executed by four teams as opposed to this being a game played by four players. Within each team there would be members assigned to different tasks. There would be some communication challenges thrown in. Pandemic when used well is a great team-building and training activity. 

I bought most of the activity props. I needed to get a copy of Pandemic too, because I used the cards from the actual game. For the rest, I had to hunt everywhere to find equivalent large sized components. I arranged to playtest this giant version of Pandemic. Not for gameplay, since I didn't change that, but for making sure the components worked well. My dining table was not big enough for the map. I needed to add one more table and a white board (see bottom right) to create enough flat surface for the whole map. 

I used toy cars as player pawns. The white cube is a die for prototype-making. I used it as a research centre. I used square wooden blocks as diseases. I bought them at Daiso and spray painted them. One problem with the toy cars was players could not resist playing with them. This is the kind which you can pull back and then release to have it dart forward. Chen Rui kept playing with her car, knocking over game components on the map. 

I prepared four spare cars in the same four colours as those on the map, and placed them in front of the four players as reminders to tell which one on the map was their car. Here we have one flaw. In the original game, the player pawn colours match the player character colours. I couldn't find large player pawns to match all the character cards, so I went with toy cars. 

I put the character cards into identity card holders and attached lanyards. In each team there would be one member wearing this, and his or her job was to remind the whole team they needed to fully utilise the character ability. 

I changed this part of the game board. In the original there are only four circles. When you manage to cure a disease, you put a marker into the circle. If you manage to eradicate the disease, you flip the marker to the other side, which shows a different symbol. In the giant version, I wanted something which looked like a table, each row being a different status. The four little bottles are markers you can advance downwards. 

Game in progress

For the outbreak marker and the infection rate marker, I used this type of whiteboard magnet which can be found at stationery shops. 

I found large transparent plastic cans for the four diseases. 

These four small bottles are status markers for the four diseases. Originally I thought about half filling the bottles with liquid in the four disease colours. I later changed my mind because I was worried the liquid might leak and damage the other components. 

I feel bad for having moved Jakarta into the Indian Ocean. The city locations are not meant to be accurate. 

We played the giant version with just the four of us. The team-building would have 20+. It's a little too big for four players, but a trial run was good to help iron out any issues. 

We won rather easily. That was not surprising since my daughters and I had played Pandemic and its variants many times. Vanilla Pandemic was easy for us. We did have a newbie Joti, but he picked up quickly under our guidance. One thing I learned from this playtesting was when I conducted the team-building activity, I should refrain from giving too much guidance. I should only teach the rules and not give any tips. If I were to guide the participants on how to play, it would effectively be me playing and not them learning. 

The activity during the team-building workshop took about 2.5 hours. I told the attendees that had a very difficult mission, because they had to manage not just COVID-19, but also COVID-20, COVID-21 and COVID-22. 

Learning the rules was challenging for them. After all they were not regular gamers. However they were sporting and participative. There was plenty of discussion and debating. 

I created many player roles and assigned them to more than half the participants. I don't mean the roles in the game like medic, scientist and operations expert. I mean player roles I created when I turned the game into a team activity involving four teams. Naturally there was a team leader for each team. I had four disease controllers whose jobs were to handle the disease cubes. No one else was allowed to touch the disease cubes but them four. I had card holders who were responsible for drawing and handling player cards. No one else were allowed to touch the player cards. One player role which turned out to be quite fun (but also busy for the guy assigned) was the infection officer. His job was to draw and announce the two infection cards at the end of every turn. Basically he was the bringer of bad news. That stage of a game turn was called Breaking News. 

I did not manipulate the game setup or the two card decks to make it easier or harder for them to win. I just let randomness run its course. Pandemic is well balanced and a random setup normally won't create too extreme a situation. Also the point of the exercise was not to intentionally let them win so that they would feel good, or to make them lose so that they would learn from failure. It was an exercise to challenge their teamwork, communication, collaboration, strategic awareness and strategic planning. 

Adrian was the card holder for Team 3 (red team) and his job included drawing player cards. He happened to be the only person to ever draw Epidemic cards. Everyone blamed him for having unlucky hands. It really wasn't his fault. He just happened to be assigned the job. Look at his nervousness as it was time to draw player cards again. At this point he had already drawn two Epidemic cards. 

In the end, they only managed to cure two diseases before they were hit by the 8th outbreak and lost. They were close. They were only three turns away from curing the remaining two diseases. One team already had enough cards to treat the third disease. The next team had enough cards to pass to the following team, which would then have enough to cure the fourth disease. 

Season 0: our story

Warning: Previously when I wrote about Pandemic Legacy: Season 0, in order to avoid spoilers I omitted many details about the game. This here will be more-or-less a session report, and it will be full of spoilers. If you have not completed the game and intend to play, stop here. It's not safe to go any further. If you have completed the game or you are sure you won't be playing it, let's chat. 

I played the Pandemic Legacy series in order of publication, i.e. Season 1, Season 2 then Season 0. I did the first two seasons with Benz, Ruby, Edwin and Xiaozhu. At the time we worked at the same company, and usually played on Friday afternoons just before the end of the work day. Now some of us have moved on to different careers, and it is harder to arrange for all of us to get together again, especially in the past two years when the pandemic in real-life has put many things on hold. So we changed plans. I played Season 0 with my family - my wife and two daughters. They had not played the first two seasons. My wife Michelle had played a few different versions of Pandemic. My daughters had not. We had played other legacy games together - Betrayal Legacy and Machi Koro Legacy. We completed Season 0 within one month, playing 1 prologue game and 16 campaign games. Here are our experiences. 

At the prologue we already had to pick characters. I let the children pick for us. When we started the campaign proper, we continued to use the same characters as in the prologue. The most outstanding character was younger daughter Chen Rui's. Her ability was to move other players on her turn. When she did that she could move our pawns up to three steps away. This was very handy. She was our taxi driver. Whenever we needed to go somewhere far, we asked her to send us there. When we had to end our turns at a city with Soviet surveillance, we asked her to move us out of harm before the start of our next turns. Sometimes she spent almost her whole turn just moving the rest of us all over the place. That sounds a little sad for her, needing to play chauffeur at the beck and call of the rest of us, but hers was an important role. She was the MVP in our campaign. 

Chen Rui used the black pawn. We built a permanent safehouse in Moscow early. Being the capital of the Soviet Union, it was a high security place with three Soviet surveillance (red eyes), the highest level. However with a safehouse in place, we no longer feared surveillance. We were protected. One new ability Chen Rui picked allowed her to give cards to anyone when she was located in a particular city. She picked Moscow. She also got herself a visa to Moscow, which allowed her to fly to Moscow directly as an action. Most of the time her standard itinerary would be to fly to Moscow, and then she would send us speeding all over the board and give us the cards we needed. She just sat in Moscow and played backend support. 

Michelle's ability allowed her to give any card to any player in the same city. Normally you can only pass the card of that particular city. Other players may also take any card from her if in the same city, regardless of which card. Initially we thought we would be using Michelle's ability frequently. However Chen Rui's new ability was even more powerful. She could give cards to anyone anywhere on the board. We didn't use Michelle's ability as much as we expected. My ability allowed me to assemble teams with one card fewer, i.e. four cards. Elder daughter Shee Yun's ability allowed her to build a safehouse without playing a card. Normally you need to play the card of the specific city you are in. We declared that she could lay bricks anywhere (okay, we said she could s*** bricks anywhere). 

All these were our early abilities. Later when we obtained our second and third identities, we developed some other powerful abilities. However we still used our first identities the most, especially Chen Rui's. 

In the late campaign, Shee Yun used her Soviet identity more. By then we had a few permanent safehouses around the world so we didn't need her to be building new ones. She put together a powerful combination for her Soviet identity. She could walk into any Soviet city and instantly kill all Soviet agents. When she treated diseases, she could treat all at one go instead of one cube at a time. She was an effective sweeper, clearing off both spies and diseases. 

We built a permanent safehouse in Lagos. I always remember Lagos because of my experience in Season 1. One important character Kawasaki died in Lagos, and we were devastated. By now I have forgotten many details of my Season 1 campaign, but I still remember Kawasaki died in Lagos. This is how memorable a legacy game can be. In terms of timeline, the events in Season 0 happened before those in Season 1, so Kawasaki was not born yet in Season 0. I imagined this safehouse built in 1962 happened to be near Kawasaki's final resting place many years later. There's a poignancy to that. 

One new mission type introduced after the campaign started was disrupting virus trials. Trials were done in multiple cities, and we only had one chance to disrupt them. If we wanted to disrupt trials in multiple cities, we needed teams in place at all those cities at the same time when we carried out the operation. Cities in which we disrupted the trials were protected from future troubles. Cities which could not be saved suffered virus infections from the next game onwards. The infections worked in the same way as those in standard Pandemic and in Season 1. This was a nice touch. We saw how Season 0 transitioned to Season 1. 

When we encountered the earliest missions requiring disrupting trials, we were 100% successful. It seemed hard but somehow we managed it, stopping the trials in all cities. That saved us a lot of headache because it meant we didn't need to worry about infections for quite a few games. Yes there were those green cubes (diseases) introduced, but we didn't need to touch them at all. Only by the third time we had a disrupt trial mission that we failed. We failed that one completely, not managing to save any of the four cities. However we also failed in a super lucky way. All four of the impacted cities were adjacent to Warsaw. There was one asset we bought which allowed us to recruit a medic in a particular city. The player employing the medic could treat diseases in any city adjacent to the medic for one action. Michelle recruited the medic, and from then on easily treated diseases in all four cities whenever she felt like it. The diseases in our campaign never troubled us much because we were very lucky with those early missions. By the end of the campaign, we only had one contaminated city.

We never had to worry about the diseases popping up around Warsaw. Michelle could treat them at any time without needing to fly over.  

Beijing (i.e. Peking) was the only city that was contaminated, i.e. we had outbreaks there. We were lucky. Few contaminated cities meant much less trouble moving about the board. Outbreak tokens were the same as the incident tokens. We added outbreak stickers to the other end of the incident tokens. A token would be used whether we had an incident or an outbreak. The eighth incident or outbreak would end a game. We had two outbreaks in Beijing, thus two tokens there. 

We loved using this Diversion event card. It allowed us to move three incident tokens to any city. When a game ended, we had to add a surveillance sticker (red eye) to every city with one or more incident tokens. We were reluctant to end our turns in cities with surveillance because at the start of our next turns we would get exposed. If we could move multiple incident tokens to just one city, it meant we reduced the number of cities we needed to add surveillance stickers to. Also we could decide where we'd rather have the surveillance sticker. 

Santiago in South America was a backwater city, far away and hard to reach. We decided to make it our dumping ground for incident tokens, i.e. to have it take one for the team. Later on, we realised this was completely unnecessary. We should have just used Diversion on Moscow. Moscow already had Level 3 surveillance so we wouldn't need to add any more surveillance stickers. We had to issue a formal apology to the citizens of Santiago. We were stupid. 

It didn't matter if Moscow had many incident tokens. It already had Level 3 surveillance. We built a permanent safehouse there so we weren't afraid of the surveillance. When we played Diversion, the KGB agents must have been extremely frustrated that their investigations led them to their own HQ. They knew they had been fooled again by false leads.

We were always active in Moscow. Chen Rui always camped there. Later when we had multiple missions requiring infiltrating the site in Novosibirsk (right next to Moscow), Moscow became our transit point. 

Chen Rui became friends with a gangster in Shanghai. She could ask him to kill Soviet agents in Shanghai or any city next to it. That's what friends are for! We named the gangster Hui Man Keong (許文强 - the character played by Chow Yuen Fatt in the classic Hong Kong TV series Shanghai Bund). He helped tremendously in keeping East Asia clean. 

I got myself a visa to Manila so that I could fly there at any time. If anything urgent came up in South East Asia, I could get there quickly and try to defuse the situation. Also we had a permanent safehouse in Manila, and Manila was a neutral city, so I could quickly assemble a neutral team there whenever I had enough cards to do so. 

The blue fugitive tokens and the brown roadblock tokens are for yet another type of mission - hunting missions. A fugitive would start in a specific city during game setup and try to reach a Soviet city. Fugitive tokens spread to all neighbouring cities whenever an escalation card is drawn. If any fugitive token ever reaches a Soviet city, the fugitive successfully escapes us and our mission fails. Roadblocks prevent the spread of fugitive tokens. To eliminate the fugitive tokens themselves we need teams of affiliations matching the cities. To complete a mission we need to eliminate all fugitive tokens, i.e. we have to catch the guy, not just stop him from reaching a Soviet city. 

We usually tried to complete the hunting missions as early as possible, because if we let the fugitive tokens spread out, it would be a real pain in the neck to try to contain them. Also we needed teams matching the city affiliations to be able to remove the fugitive tokens. If we had fugitive tokens in both neutral and allied cities, we would need at least two teams to do this clean-up. 

This particular hunting mission had the fugitive starting in Los Angeles. We stopped him very early and he didn't even manage to leave LA. Within the first round, Chen Rui sent Michelle (pink) and I (green) to LA using her power. We then played an event card which let every player set up two roadblocks. That was enough to completely seal off LA. After that, it was only a matter of time to assemble an allied team to catch the poor guy. 

These two stickers in Bombay (modern day Mumbai) are a satellite control centre and a bug (listening device). Some missions required that we acquire a target in a particular region, and when we completed it, we were instructed to add these two stickers to the city where the mission was completed. At first I thought this was strange. Why have two separate stickers when we always had to add one then the other? Might as well have just one sticker with both icons. Only later we realised that if we were unsuccessful, we would only add the control centre but not the bug. We did well in our satellite control centre missions, and for the first five such missions, we were always able to bug the centres. We only failed to bug the centre in the Asia Pacific region. 

Later on these Satellite Launch cards turned up. Whenever we drew such a card from the player deck, the Soviets would launch a satellite in a specific region. All cities in that region would then be considered to have one more surveillance level. If any of us were in the region and not protected by a safehouse, we would be at risk of exposure by our next turns. This was scary. It felt like there was no place to hide. The bugs from the earlier missions allowed us to disable the satellites of specific regions. We still had to visit the control centre to be able to disable the satellite, but sometimes this was worth the effort. 

These round tokens remind you that big brother is watching you from the satellites. That is unless you are hiding in a safehouse. 

The European satellite control centre happened to be in Moscow, which was perfect for us. Chen Rui always camped there anyway so disabling the satellite was easier than walking down the street to buy newspaper from the corner shop. 

When it rains it pours. I once drew both an escalation card and a satellite launch card. 

This was yet another type of mission - infiltration missions. We had to visit a specific city, then get inside a specific building, go to a specific room and do something in that room. In between the rooms there were doors with codes. To open those doors we needed to have player cards which had the required numbers. This was a new use of the player cards. Those numbers at the bottom left mattered. It was not just about the affiliation or the city. The door codes were initially face-down. When we first entered a room we could flip over the codes to see what was needed. If we happened to have the right cards and we still had actions, we could continue to move through the building. If we didn't have the right cards, we would need to come back another time with the right equipment. 

As the infiltration missions became more complex, we had different paths to pick. The rooms had different effects, some good some bad. In the photo above, the office at the bottom left gives an action token. Action tokens are important. When you infiltrate a site, at the end of your turn you always exit the building and return to the city. If you want to infiltrate again you start at the front door next turn. You can't stay overnight inside the building. Sometimes without extra action tokens you simply can't reach deep enough inside a building to complete your mission. 

This was the mega complex that appeared in the late campaign which we had to infiltrate. This was in Novosibirsk. In the Season 0 story, one important character was Agent Sabik. He was a CIA operative sent to the USSR. The CIA lost contact with him and feared he had been captured by the Soviet. He managed to escape, but the CIA was not sure whether they could trust him. He might have become a counterspy. During our campaign there were a few times we got in contact with him, and we had to decide whether to trust him. When he was deep in the USSR, he had asked to be extracted but his handler Cooper refused and asked him to stay on to gather more intelligence. He was eventually captured by the KGB in Novosibirsk, and this mega complex was where he was detained. He was tortured and experimented on. He was patient 0 of the virus developed by the Soviets, that very virus which went out of control later in Season 1. This was an oooh moment for me because I have played Season 1. 

Finding the Novosibirsk building blueprint was one of the highlights of Season 0. It was hidden in a secret chamber at the bottom of the game box. This was fun. Gimmicky, but I like it. 

The mega complex in Novosibirsk was called the Pearl Compound, and to enter we must use our Soviet identities. 

Initially we had no information about any of the rooms in the Pearl Compound. We could only remove the seal of a room when we stepped inside. It was a huge complex with many possible paths. We had to guess where the room we needed to reach was. The various infiltration missions across different games all required different actions to be taken at different rooms of the Pearl Compound. Each time we had to go deeper to find the next room we needed. 

Some of the paths we took brought us to dead ends. Getting into dead ends meant wasting a turn. We could only try another route next turn. With the Pearl Complex so huge, we needed to stockpile action tokens before going in. Else we wouldn't have enough actions to go where we needed to be. 

Some of the rooms had useful abilities, like switching door codes and disabling satellites. However these were nice-to-have things we could do if we happened to be on the way. We didn't have the luxury to go in for the sake of visiting the rooms. We had to conserve our resources for completing the infiltration missions themselves. 

Later on we were able to create paths using air vents. Two originally unconnected rooms could be linked up. The sticker in the photo above is a newly created path between two air vents. 

After completing our campaign, we removed the seals of rooms which were still intact. We realised how lucky we were. We had managed to avoid the rooms with multiple surveillance icons (red eyes). 

This rightmost card is a symptom card. If you enter a city with disease cubes, you catch the disease and take a symptom card. Symptom cards take up space in your hand and reduces your hand size. Assembling a team requires five cards, and your hand size is 7. If you get very sick and have 3 symptom cards, you won't be able to assemble a team. Thankfully as the campaign progressed we were able to get ourselves treated. If we were at a safehouse, we could spend actions to discard symptom cards. 

There are many different symptom cards. The flavour text differs, e.g. coughs, fever, numbness in hands, nausea, but the in-game impact is the same. They just clog your hand. Whenever I took a symptom card I coughed loudly, getting into the spirit of the game. It is probably not a good idea if you are playing in a public place though. 

One of our missions required two allied teams on site. My Lee Kum Kee identity allowed me to bring along teams whenever I moved. In one particular move, I took a flight to the city where the mission was to be completed. Based on how I interpreted the rules, I could bring both teams along. Picturing this was crazy though. I was taking an Air Asia flight and checking in two vans as luggage, and the lady at the counter smile sweetly at me and wished me a great flight. Best baggage allowance ever! 

I brought two allied teams to San Francisco. I left them there to do their thing and moved to Toronto to disable the Soviet satellite flying over North America. The control centre was in Toronto and we had bugged it. 

Lucy Wong, the bodybuilding housewife, was my first identity and also the one I used the most. I was a frequent flyer to Manila. I befriended a shop owner there which let me swap two cards with any card from the discard pile. This of course was to help me with assembling teams, which I could do with one card fewer. 

These were our passports by the end of the campaign. Our MVP was definitely Chen Rui's first identity (top left). She was exposed many times, and we were quite worried whether she'd eventually burn that identity. Thankfully that didn't happen. She had two liabilities (dark brown stickers), both due to being exposed. 

Shee Yun (top right) had a friend Dr Robert who lived in Moscow. When Dr Robert first appeared, Chen Rui wanted him as an asset. When a player starts a turn in the same city as Dr Robert, she gains two action tokens. This was perfect for Chen Rui, because she always camped in Moscow and rarely left. Also she could use those extra actions to move us about efficiently. Unfortunately by that time she had already filled up all her asset spaces. She said she was willing to tear off an existing asset for Dr Robert. I insisted no. She was disappointed. We gave Dr Robert to Shee Yun later. It was helpful to her too later on when she became the designated player to do infiltration. Infiltration missions often needed extra actions. 

In addition to the medic, one other important asset Michelle had was the gunbrella. When she killed Soviet agents, she could kill two with one action. She was our "cleaner". 

This was the Moscow Incident, the most memorable one in our campaign. Our safehouse in Moscow was destroyed by an incident, and at the time three of us were in Moscow! Moscow had three surveillance icons and if we weren't able to move out of harm's way before our turns came, we would be exposed three times! At the time Shee Yun (white) was not using her identity which allowed her to immediately build a safehouse. To switch to that identity she would need to find a safehouse first to change. We had taken our safehouse in Moscow for granted. In hindsight, we should have built a second safehouse in Europe as backup. Moscow was the lion's den and we should not have taken that lightly. 

 

This was our map at the end of the campaign. Generally we did well. We suppressed many of the Soviet surveillance icons around the world. There was no more in Asia. We had another permanent safehouse in Novosibirsk. Although Novosibirsk was right next to Moscow and another safehouse so near the one in Moscow seemed like overkill, it did save us some trouble and helped us somewhat. The control centre in Tokyo was the only one we failed to bug. We had a permanent safehouse in Paris. Michelle had a visa to Paris and she was ready to fly there whenever anything bad happened in West Europe. 

These are player aids, front side on the left and back side on the right. The back side was initially blank. We added stickers during the campaign whenever new actions became available to us. By the end of the campaign the back side was full. 

The legacy deck asked us to fill in questionnaires like this. They were psychological tests asking behavioural questions. How we answered later led to different types of restrictions imposed on us. This was basically random. We couldn't determine from the questions what kind of restrictions would be imposed. We had no basis when deciding how to fill the questionnaires. I see this as just a story and role-playing element. 

We generally got the tougher restrictions. Yes, we looked up the debrief book and the operations deck to see what we would have received had we answered the questions differently. Chen Rui was adamant we did so. We had some infighting and I-told-you-so moments. One of the annoying restrictions was when we passed a card to another player we were required to discard an additional card. Cards were precious so this was a high price to pay. 

These are all the event cards in the game. At the start of every game we could pick which ones we wanted to use. The most we could have in a game was 10. I assigned Shee Yun to be responsible for picking event cards. We looked at the missions of the upcoming game before deciding which events to use. 

Some of the components added after the campaign started were the green disease cubes and the outbreak tokens. The out break tokens were not really new components. They were just the incident tokens with outbreak stickers added to the other end. 

This page in the rulebook initially only had that small section at the top. The rest of the page was blank. By the end of our campaign this page was filled up by stickers. These were all the player actions which were added during the campaign. 

Late in the campaign there came a point when we had to decide whether to help Sabik. CIA considered him a traitor and wanted to hunt him down. He told us he was just trying to save the world. This new disease developed by the Soviets had no cure. Even the Soviets could not control it. We decided to trust him and to assist him. When we did this, the rest of our legacy deck was discarded and we were given a new deck to replace what was discarded. This was the only major fork in the storyline. 

The December month was only played once, regardless of how successful we were with the missions. Two of the missions involved stopping the disease from spreading, which meant saving the world from disaster. The third mission was more of a personal vendetta thing. Sabik wanted to meet Cooper, his previous handler who left him in Siberia. We prioritised saving the world, and we managed to complete both of those missions. We then turned to the last mission. This was a climactic moment. When Sabik met Cooper (i.e. we were successful), he was overwhelmed with emotions. He looked like he was going to kill Cooper on the spot. We never found out whether he would have done so, because we shot him dead. It was a pitiful sight, watching him die. He looked like a biology class human anatomy model. His skin had turned transparent due to the side effect of the disease. He was restless and violent, very unlike a trained agent. Chen Rui was rather sad that we had to kill him. I said it was the right thing to do. Was it? 

We read the final passages of the story, and found that the four of us went on to become a powerful hidden force within the CIA, the same one which was behind the events in Pandemic Legacy: Season 1. We were the founding members of that evil secret organisation - Zodiac!