Escape Team

The Game

Escape Team is an escape room game, like the Exit and Unlock series. You play it with the support of a mobile phone app. This part is similar to Unlock. What I find interesting about the game is it does not provide any game components. This is a clever publishing model. You download the app. You print out sheets of paper yourself and you prepare your own pens and scissors. 

A game is a series of puzzles which you need to solve within a time limit. The puzzles are all laid out in the printouts. The answer of each puzzle is a 5 digit code which you need to key in to the app to check whether you are correct. The app is also your countdown timer. So far there are 11 missions released. Each mission is one complete game. The easy ones only take 10 minutes. Complex ones go for 40 minutes. Two introductory missions are free. The rest need to be paid for. You can download and print the puzzles, but without unlocking the missions in the app, you won't be able to check your answers or get clues. I find this a very clever business model. There is no need to worry about physical components, warehousing or shipping. Players download the app and prepare their own physical components. 

This is one of the free missions. Just four sheets of paper.

The Play

One thing the app provides is background music. It creates quite a tense atmosphere and I like it. It certainly made me nervous. At certain internals clues are provided. You don't have to read the clues. You will see a notification and it is up to you whether you want to open the clues screen. I only use the clues when I feel truly stuck. When I played with younger daughter Chen Rui, most of the clues were not helpful to us because we had already thought of what those clues suggested. Only one clue truly helped us solve one of the puzzles. Chen Rui complained about the useless clues. I guess another way to look at it is we are clever and don't need those clues which most other people would find helpful. 

The game is recommended for 2 to 4 players. Technically it can be played solo. I did that for the easy missions. However it was a little dull. I didn't have anyone to discuss with or bounce ideas off. Some of the work can be divided, e.g. cutting out pieces of paper. It's just tedious work and having someone being in charge while others continue to work on other aspects is a good thing. The different puzzles within a mission can also be distributed to different players. If someone finds the solution to Puzzle 2 while Puzzle 1 is still being solved, you can write it down to be entered later after you solve Puzzle 1. This certainly helps in completing the missions within the time limit. 

The early missions were rather easy. After trying those I directly skipped to Mission 9, which had the highest difficulty rating. We lost that one. We failed to solve all the puzzles within the time allotted. This time though there were some challenging puzzles. It was more interesting. It had the kind of puzzles which required some creativity and lateral thinking, and not just problems that took time to solve, like piecing jigsaw puzzles together. 

Mission 9

The Thoughts

I am not specifically fond of escape room games or puzzle games. I played many games of Exit only because my wife Michelle suggested to buy more to play as a family. Escape Team is certainly convenient. Some of the puzzles are clever. I didn't like the easier missions, especially those that required a lot of cutting. It felt tedious. I can understand that the free missions are easy so that they are a good introduction to the game. New players get to learn the system. They feel happy when they are successful in completing the mission. I just wonder whether it might have the opposite effect on some players. In my case had I tried only the first two missions, I would not have paid to unlock further missions, because the first two weren't all that interesting to me. The publisher invited me to review the game and gave me access to all the currently available missions. Since I had said yes, I continued playing and picked the hardest difficulty level the third time around. It was certainly better than the easy games. If this sounds interesting, check out the game at https://www.escape-team.com/.

Remember Our Trip

The Game

Remember Our Trip has a very unusual setting. You and a group of friends have just returned from a holiday. You meet up and chat about your recent trip - the landmarks you visited, the hotels you stayed in, the restaurants you liked and of course the shopping too. However all of you remember the locations slightly differently. You debate about the precise locations of the places you visited. You try to gather your snippets of memories to piece together the right locations. Whoever remembers the locations of your vacation stops best wins the game. 

By this description above, you probably have no idea at all how the game plays. Let's look at how all this is translated into game mechanisms. 

Every player starts with his own blank map - his player board. There is a shared blank map placed at the centre too, representing the true map. Your player board represents what you recall of the city you visited. In this game there are two cities you can play - Kyoto and Singapore. The city in play above is Kyoto. During the game you will place memory tokens (snippets of memory you recall) on your player board and try to form groups of specific sizes and shapes. When you succeed in making a valid group, you fully remember the location of a certain type of building, and you will get to mark that building on the true map. 

The game is played over 12 rounds. Every round a memory card is revealed. It specifies a configuration, and you must place tokens in this specific configuration. The memory card also specifies the number of tokens to be placed. Groups of tokens will be drawn from a bag, and players take turns to claim a group to be placed onto their respective player boards. 

Tokens are placed on the player boards like this. You try to form valid groups of specific shapes and sizes. Once you achieve this, you score points. If the location on the true map is still empty, you get to place a matching building there too. 

What if what you remember conflicts with what another player remembers? It's first come first served. You want to be first to claim the spots on the true map. Whenever a building is placed on the true map, it will never be removed. If it blocks other buildings which another player tries to place, it simply means they won't get to place their buildings, even if they complete a valid group on their player boards. In terms of scoring, you score points for the completed group on your player board, and you also score points for that group matching the building on the true map. If you are the person placing the building on the true map, naturally that building will match your group 100%. If you complete a group on your player board that conflicts with the true map, i.e. someone else has placed a completely different building, you will only score for your own player board and not the true map. If the completed group on your player board partially matches the true map, i.e. someone else has placed a building and it partially matches your player board, you still score some points for the true map. 

These are the real buildings which will be placed onto the true map. The violet buildings are landmarks, the blue are hotels, the green are gardens, the orange are shops and the red are restaurants. 

This was Kyoto in the early stage of our game. Only landmarks (top right) get a standee. Other buildings remain 2D.  

When the game starts your player board is empty so there is plenty of space and much flexibility in placing tokens. In the late game it gets harder and harder to place tokens, since the configurations are very strict. If you are unable to place a token, you put it in a mistaken memory area. Sometimes you may decide to discard a token to make way for a new token. In this case the discarded token goes to the mistaken memory area too. When the game ends, the player with the most tokens in his mistake memory area loses points, at 1pt per token. 

The game is mostly about forming valid groups on your player boards to score points. Hopefully you also get to place buildings on the true map, because that means you will score more points. A mission is announced when the game starts. You also score points if you fulfil the mission by game end. Missions are along the lines of having two groups of shops on your player board. 

The Play

When I started playing Remembering Our Trip it felt weird. The idea is quite unusual. Explaining the game takes some effort. You really need to sit down and play it to get a grasp of what's going on. Play a few rounds, and you'll realise it's actually quite simple. When explaining it it sounds like a medium-complexity game. Once you play it, you'll find that it is a light game. 

There is a race element to it, because you are competing to be first to claim spots on the true map. You try to form valid groups as quickly as possible. Sometimes you compete for the same type of token. Sometimes you take tokens your opponents need even when you don't really need those tokens yourself, for the stake of preventing them from forming valid groups. It's not always constructive, but sometimes it's necessary. 

The game becomes more and more challenging towards the end, because the boards get full and you have less wriggling space. 

On every player board there are four photo spots. These are at the same coordinates for everyone. They represent photos you have taken together during your trip, and you can see what type of buildings are in the background. This means there really is no excuse for remembering these locations wrong. You need to try to match the building types specified by these photo spots. Depending on how well your tokens match them, you gain or lose points at game end. This mechanism adds to the story and also helps encourage some consistency between player boards. It adds a little realism. Afterall, we were on the same trip and should not be remembering completely different things. 

I played with younger daughter Chen Rui and this was our true map when the game ended. We had two landmarks (violet), two hotels (blue), one garden (green) and one group each of shops (orange) and restaurants (red). 

This was my player board. You can compare this with the photo above to see the differences. 

This was Chen Rui's player board, and you can do the same comparison. 

The Thoughts

I enjoy trying games from Japan, because they often have innovative ideas. Remember Our Trip is this kind of game. It's creative and fresh. I can't say for sure yet that it's highly replayable, but I feel happy having tried it because it feels like enjoying a scenery you have never imagined before. 

Season 0: our story

Warning: Previously when I wrote about Pandemic Legacy: Season 0, in order to avoid spoilers I omitted many details about the game. This here will be more-or-less a session report, and it will be full of spoilers. If you have not completed the game and intend to play, stop here. It's not safe to go any further. If you have completed the game or you are sure you won't be playing it, let's chat. 

I played the Pandemic Legacy series in order of publication, i.e. Season 1, Season 2 then Season 0. I did the first two seasons with Benz, Ruby, Edwin and Xiaozhu. At the time we worked at the same company, and usually played on Friday afternoons just before the end of the work day. Now some of us have moved on to different careers, and it is harder to arrange for all of us to get together again, especially in the past two years when the pandemic in real-life has put many things on hold. So we changed plans. I played Season 0 with my family - my wife and two daughters. They had not played the first two seasons. My wife Michelle had played a few different versions of Pandemic. My daughters had not. We had played other legacy games together - Betrayal Legacy and Machi Koro Legacy. We completed Season 0 within one month, playing 1 prologue game and 16 campaign games. Here are our experiences. 

At the prologue we already had to pick characters. I let the children pick for us. When we started the campaign proper, we continued to use the same characters as in the prologue. The most outstanding character was younger daughter Chen Rui's. Her ability was to move other players on her turn. When she did that she could move our pawns up to three steps away. This was very handy. She was our taxi driver. Whenever we needed to go somewhere far, we asked her to send us there. When we had to end our turns at a city with Soviet surveillance, we asked her to move us out of harm before the start of our next turns. Sometimes she spent almost her whole turn just moving the rest of us all over the place. That sounds a little sad for her, needing to play chauffeur at the beck and call of the rest of us, but hers was an important role. She was the MVP in our campaign. 

Chen Rui used the black pawn. We built a permanent safehouse in Moscow early. Being the capital of the Soviet Union, it was a high security place with three Soviet surveillance (red eyes), the highest level. However with a safehouse in place, we no longer feared surveillance. We were protected. One new ability Chen Rui picked allowed her to give cards to anyone when she was located in a particular city. She picked Moscow. She also got herself a visa to Moscow, which allowed her to fly to Moscow directly as an action. Most of the time her standard itinerary would be to fly to Moscow, and then she would send us speeding all over the board and give us the cards we needed. She just sat in Moscow and played backend support. 

Michelle's ability allowed her to give any card to any player in the same city. Normally you can only pass the card of that particular city. Other players may also take any card from her if in the same city, regardless of which card. Initially we thought we would be using Michelle's ability frequently. However Chen Rui's new ability was even more powerful. She could give cards to anyone anywhere on the board. We didn't use Michelle's ability as much as we expected. My ability allowed me to assemble teams with one card fewer, i.e. four cards. Elder daughter Shee Yun's ability allowed her to build a safehouse without playing a card. Normally you need to play the card of the specific city you are in. We declared that she could lay bricks anywhere (okay, we said she could s*** bricks anywhere). 

All these were our early abilities. Later when we obtained our second and third identities, we developed some other powerful abilities. However we still used our first identities the most, especially Chen Rui's. 

In the late campaign, Shee Yun used her Soviet identity more. By then we had a few permanent safehouses around the world so we didn't need her to be building new ones. She put together a powerful combination for her Soviet identity. She could walk into any Soviet city and instantly kill all Soviet agents. When she treated diseases, she could treat all at one go instead of one cube at a time. She was an effective sweeper, clearing off both spies and diseases. 

We built a permanent safehouse in Lagos. I always remember Lagos because of my experience in Season 1. One important character Kawasaki died in Lagos, and we were devastated. By now I have forgotten many details of my Season 1 campaign, but I still remember Kawasaki died in Lagos. This is how memorable a legacy game can be. In terms of timeline, the events in Season 0 happened before those in Season 1, so Kawasaki was not born yet in Season 0. I imagined this safehouse built in 1962 happened to be near Kawasaki's final resting place many years later. There's a poignancy to that. 

One new mission type introduced after the campaign started was disrupting virus trials. Trials were done in multiple cities, and we only had one chance to disrupt them. If we wanted to disrupt trials in multiple cities, we needed teams in place at all those cities at the same time when we carried out the operation. Cities in which we disrupted the trials were protected from future troubles. Cities which could not be saved suffered virus infections from the next game onwards. The infections worked in the same way as those in standard Pandemic and in Season 1. This was a nice touch. We saw how Season 0 transitioned to Season 1. 

When we encountered the earliest missions requiring disrupting trials, we were 100% successful. It seemed hard but somehow we managed it, stopping the trials in all cities. That saved us a lot of headache because it meant we didn't need to worry about infections for quite a few games. Yes there were those green cubes (diseases) introduced, but we didn't need to touch them at all. Only by the third time we had a disrupt trial mission that we failed. We failed that one completely, not managing to save any of the four cities. However we also failed in a super lucky way. All four of the impacted cities were adjacent to Warsaw. There was one asset we bought which allowed us to recruit a medic in a particular city. The player employing the medic could treat diseases in any city adjacent to the medic for one action. Michelle recruited the medic, and from then on easily treated diseases in all four cities whenever she felt like it. The diseases in our campaign never troubled us much because we were very lucky with those early missions. By the end of the campaign, we only had one contaminated city.

We never had to worry about the diseases popping up around Warsaw. Michelle could treat them at any time without needing to fly over.  

Beijing (i.e. Peking) was the only city that was contaminated, i.e. we had outbreaks there. We were lucky. Few contaminated cities meant much less trouble moving about the board. Outbreak tokens were the same as the incident tokens. We added outbreak stickers to the other end of the incident tokens. A token would be used whether we had an incident or an outbreak. The eighth incident or outbreak would end a game. We had two outbreaks in Beijing, thus two tokens there. 

We loved using this Diversion event card. It allowed us to move three incident tokens to any city. When a game ended, we had to add a surveillance sticker (red eye) to every city with one or more incident tokens. We were reluctant to end our turns in cities with surveillance because at the start of our next turns we would get exposed. If we could move multiple incident tokens to just one city, it meant we reduced the number of cities we needed to add surveillance stickers to. Also we could decide where we'd rather have the surveillance sticker. 

Santiago in South America was a backwater city, far away and hard to reach. We decided to make it our dumping ground for incident tokens, i.e. to have it take one for the team. Later on, we realised this was completely unnecessary. We should have just used Diversion on Moscow. Moscow already had Level 3 surveillance so we wouldn't need to add any more surveillance stickers. We had to issue a formal apology to the citizens of Santiago. We were stupid. 

It didn't matter if Moscow had many incident tokens. It already had Level 3 surveillance. We built a permanent safehouse there so we weren't afraid of the surveillance. When we played Diversion, the KGB agents must have been extremely frustrated that their investigations led them to their own HQ. They knew they had been fooled again by false leads.

We were always active in Moscow. Chen Rui always camped there. Later when we had multiple missions requiring infiltrating the site in Novosibirsk (right next to Moscow), Moscow became our transit point. 

Chen Rui became friends with a gangster in Shanghai. She could ask him to kill Soviet agents in Shanghai or any city next to it. That's what friends are for! We named the gangster Hui Man Keong (許文强 - the character played by Chow Yuen Fatt in the classic Hong Kong TV series Shanghai Bund). He helped tremendously in keeping East Asia clean. 

I got myself a visa to Manila so that I could fly there at any time. If anything urgent came up in South East Asia, I could get there quickly and try to defuse the situation. Also we had a permanent safehouse in Manila, and Manila was a neutral city, so I could quickly assemble a neutral team there whenever I had enough cards to do so. 

The blue fugitive tokens and the brown roadblock tokens are for yet another type of mission - hunting missions. A fugitive would start in a specific city during game setup and try to reach a Soviet city. Fugitive tokens spread to all neighbouring cities whenever an escalation card is drawn. If any fugitive token ever reaches a Soviet city, the fugitive successfully escapes us and our mission fails. Roadblocks prevent the spread of fugitive tokens. To eliminate the fugitive tokens themselves we need teams of affiliations matching the cities. To complete a mission we need to eliminate all fugitive tokens, i.e. we have to catch the guy, not just stop him from reaching a Soviet city. 

We usually tried to complete the hunting missions as early as possible, because if we let the fugitive tokens spread out, it would be a real pain in the neck to try to contain them. Also we needed teams matching the city affiliations to be able to remove the fugitive tokens. If we had fugitive tokens in both neutral and allied cities, we would need at least two teams to do this clean-up. 

This particular hunting mission had the fugitive starting in Los Angeles. We stopped him very early and he didn't even manage to leave LA. Within the first round, Chen Rui sent Michelle (pink) and I (green) to LA using her power. We then played an event card which let every player set up two roadblocks. That was enough to completely seal off LA. After that, it was only a matter of time to assemble an allied team to catch the poor guy. 

These two stickers in Bombay (modern day Mumbai) are a satellite control centre and a bug (listening device). Some missions required that we acquire a target in a particular region, and when we completed it, we were instructed to add these two stickers to the city where the mission was completed. At first I thought this was strange. Why have two separate stickers when we always had to add one then the other? Might as well have just one sticker with both icons. Only later we realised that if we were unsuccessful, we would only add the control centre but not the bug. We did well in our satellite control centre missions, and for the first five such missions, we were always able to bug the centres. We only failed to bug the centre in the Asia Pacific region. 

Later on these Satellite Launch cards turned up. Whenever we drew such a card from the player deck, the Soviets would launch a satellite in a specific region. All cities in that region would then be considered to have one more surveillance level. If any of us were in the region and not protected by a safehouse, we would be at risk of exposure by our next turns. This was scary. It felt like there was no place to hide. The bugs from the earlier missions allowed us to disable the satellites of specific regions. We still had to visit the control centre to be able to disable the satellite, but sometimes this was worth the effort. 

These round tokens remind you that big brother is watching you from the satellites. That is unless you are hiding in a safehouse. 

The European satellite control centre happened to be in Moscow, which was perfect for us. Chen Rui always camped there anyway so disabling the satellite was easier than walking down the street to buy newspaper from the corner shop. 

When it rains it pours. I once drew both an escalation card and a satellite launch card. 

This was yet another type of mission - infiltration missions. We had to visit a specific city, then get inside a specific building, go to a specific room and do something in that room. In between the rooms there were doors with codes. To open those doors we needed to have player cards which had the required numbers. This was a new use of the player cards. Those numbers at the bottom left mattered. It was not just about the affiliation or the city. The door codes were initially face-down. When we first entered a room we could flip over the codes to see what was needed. If we happened to have the right cards and we still had actions, we could continue to move through the building. If we didn't have the right cards, we would need to come back another time with the right equipment. 

As the infiltration missions became more complex, we had different paths to pick. The rooms had different effects, some good some bad. In the photo above, the office at the bottom left gives an action token. Action tokens are important. When you infiltrate a site, at the end of your turn you always exit the building and return to the city. If you want to infiltrate again you start at the front door next turn. You can't stay overnight inside the building. Sometimes without extra action tokens you simply can't reach deep enough inside a building to complete your mission. 

This was the mega complex that appeared in the late campaign which we had to infiltrate. This was in Novosibirsk. In the Season 0 story, one important character was Agent Sabik. He was a CIA operative sent to the USSR. The CIA lost contact with him and feared he had been captured by the Soviet. He managed to escape, but the CIA was not sure whether they could trust him. He might have become a counterspy. During our campaign there were a few times we got in contact with him, and we had to decide whether to trust him. When he was deep in the USSR, he had asked to be extracted but his handler Cooper refused and asked him to stay on to gather more intelligence. He was eventually captured by the KGB in Novosibirsk, and this mega complex was where he was detained. He was tortured and experimented on. He was patient 0 of the virus developed by the Soviets, that very virus which went out of control later in Season 1. This was an oooh moment for me because I have played Season 1. 

Finding the Novosibirsk building blueprint was one of the highlights of Season 0. It was hidden in a secret chamber at the bottom of the game box. This was fun. Gimmicky, but I like it. 

The mega complex in Novosibirsk was called the Pearl Compound, and to enter we must use our Soviet identities. 

Initially we had no information about any of the rooms in the Pearl Compound. We could only remove the seal of a room when we stepped inside. It was a huge complex with many possible paths. We had to guess where the room we needed to reach was. The various infiltration missions across different games all required different actions to be taken at different rooms of the Pearl Compound. Each time we had to go deeper to find the next room we needed. 

Some of the paths we took brought us to dead ends. Getting into dead ends meant wasting a turn. We could only try another route next turn. With the Pearl Complex so huge, we needed to stockpile action tokens before going in. Else we wouldn't have enough actions to go where we needed to be. 

Some of the rooms had useful abilities, like switching door codes and disabling satellites. However these were nice-to-have things we could do if we happened to be on the way. We didn't have the luxury to go in for the sake of visiting the rooms. We had to conserve our resources for completing the infiltration missions themselves. 

Later on we were able to create paths using air vents. Two originally unconnected rooms could be linked up. The sticker in the photo above is a newly created path between two air vents. 

After completing our campaign, we removed the seals of rooms which were still intact. We realised how lucky we were. We had managed to avoid the rooms with multiple surveillance icons (red eyes). 

This rightmost card is a symptom card. If you enter a city with disease cubes, you catch the disease and take a symptom card. Symptom cards take up space in your hand and reduces your hand size. Assembling a team requires five cards, and your hand size is 7. If you get very sick and have 3 symptom cards, you won't be able to assemble a team. Thankfully as the campaign progressed we were able to get ourselves treated. If we were at a safehouse, we could spend actions to discard symptom cards. 

There are many different symptom cards. The flavour text differs, e.g. coughs, fever, numbness in hands, nausea, but the in-game impact is the same. They just clog your hand. Whenever I took a symptom card I coughed loudly, getting into the spirit of the game. It is probably not a good idea if you are playing in a public place though. 

One of our missions required two allied teams on site. My Lee Kum Kee identity allowed me to bring along teams whenever I moved. In one particular move, I took a flight to the city where the mission was to be completed. Based on how I interpreted the rules, I could bring both teams along. Picturing this was crazy though. I was taking an Air Asia flight and checking in two vans as luggage, and the lady at the counter smile sweetly at me and wished me a great flight. Best baggage allowance ever! 

I brought two allied teams to San Francisco. I left them there to do their thing and moved to Toronto to disable the Soviet satellite flying over North America. The control centre was in Toronto and we had bugged it. 

Lucy Wong, the bodybuilding housewife, was my first identity and also the one I used the most. I was a frequent flyer to Manila. I befriended a shop owner there which let me swap two cards with any card from the discard pile. This of course was to help me with assembling teams, which I could do with one card fewer. 

These were our passports by the end of the campaign. Our MVP was definitely Chen Rui's first identity (top left). She was exposed many times, and we were quite worried whether she'd eventually burn that identity. Thankfully that didn't happen. She had two liabilities (dark brown stickers), both due to being exposed. 

Shee Yun (top right) had a friend Dr Robert who lived in Moscow. When Dr Robert first appeared, Chen Rui wanted him as an asset. When a player starts a turn in the same city as Dr Robert, she gains two action tokens. This was perfect for Chen Rui, because she always camped in Moscow and rarely left. Also she could use those extra actions to move us about efficiently. Unfortunately by that time she had already filled up all her asset spaces. She said she was willing to tear off an existing asset for Dr Robert. I insisted no. She was disappointed. We gave Dr Robert to Shee Yun later. It was helpful to her too later on when she became the designated player to do infiltration. Infiltration missions often needed extra actions. 

In addition to the medic, one other important asset Michelle had was the gunbrella. When she killed Soviet agents, she could kill two with one action. She was our "cleaner". 

This was the Moscow Incident, the most memorable one in our campaign. Our safehouse in Moscow was destroyed by an incident, and at the time three of us were in Moscow! Moscow had three surveillance icons and if we weren't able to move out of harm's way before our turns came, we would be exposed three times! At the time Shee Yun (white) was not using her identity which allowed her to immediately build a safehouse. To switch to that identity she would need to find a safehouse first to change. We had taken our safehouse in Moscow for granted. In hindsight, we should have built a second safehouse in Europe as backup. Moscow was the lion's den and we should not have taken that lightly. 

 

This was our map at the end of the campaign. Generally we did well. We suppressed many of the Soviet surveillance icons around the world. There was no more in Asia. We had another permanent safehouse in Novosibirsk. Although Novosibirsk was right next to Moscow and another safehouse so near the one in Moscow seemed like overkill, it did save us some trouble and helped us somewhat. The control centre in Tokyo was the only one we failed to bug. We had a permanent safehouse in Paris. Michelle had a visa to Paris and she was ready to fly there whenever anything bad happened in West Europe. 

These are player aids, front side on the left and back side on the right. The back side was initially blank. We added stickers during the campaign whenever new actions became available to us. By the end of the campaign the back side was full. 

The legacy deck asked us to fill in questionnaires like this. They were psychological tests asking behavioural questions. How we answered later led to different types of restrictions imposed on us. This was basically random. We couldn't determine from the questions what kind of restrictions would be imposed. We had no basis when deciding how to fill the questionnaires. I see this as just a story and role-playing element. 

We generally got the tougher restrictions. Yes, we looked up the debrief book and the operations deck to see what we would have received had we answered the questions differently. Chen Rui was adamant we did so. We had some infighting and I-told-you-so moments. One of the annoying restrictions was when we passed a card to another player we were required to discard an additional card. Cards were precious so this was a high price to pay. 

These are all the event cards in the game. At the start of every game we could pick which ones we wanted to use. The most we could have in a game was 10. I assigned Shee Yun to be responsible for picking event cards. We looked at the missions of the upcoming game before deciding which events to use. 

Some of the components added after the campaign started were the green disease cubes and the outbreak tokens. The out break tokens were not really new components. They were just the incident tokens with outbreak stickers added to the other end. 

This page in the rulebook initially only had that small section at the top. The rest of the page was blank. By the end of our campaign this page was filled up by stickers. These were all the player actions which were added during the campaign. 

Late in the campaign there came a point when we had to decide whether to help Sabik. CIA considered him a traitor and wanted to hunt him down. He told us he was just trying to save the world. This new disease developed by the Soviets had no cure. Even the Soviets could not control it. We decided to trust him and to assist him. When we did this, the rest of our legacy deck was discarded and we were given a new deck to replace what was discarded. This was the only major fork in the storyline. 

The December month was only played once, regardless of how successful we were with the missions. Two of the missions involved stopping the disease from spreading, which meant saving the world from disaster. The third mission was more of a personal vendetta thing. Sabik wanted to meet Cooper, his previous handler who left him in Siberia. We prioritised saving the world, and we managed to complete both of those missions. We then turned to the last mission. This was a climactic moment. When Sabik met Cooper (i.e. we were successful), he was overwhelmed with emotions. He looked like he was going to kill Cooper on the spot. We never found out whether he would have done so, because we shot him dead. It was a pitiful sight, watching him die. He looked like a biology class human anatomy model. His skin had turned transparent due to the side effect of the disease. He was restless and violent, very unlike a trained agent. Chen Rui was rather sad that we had to kill him. I said it was the right thing to do. Was it? 

We read the final passages of the story, and found that the four of us went on to become a powerful hidden force within the CIA, the same one which was behind the events in Pandemic Legacy: Season 1. We were the founding members of that evil secret organisation - Zodiac!