Monday, 30 March 2020

boardgaming in photos: Chicken Cha Cha Cha, Villa Paletti, La Granja

28 Dec 2019. Teaching my niece Lauren and my nephew Oswald Chicken Cha Cha Cha. We played this in Kota Kinabalu, my hometown. I live in Kuala Lumpur, and my sister lives in Melbourne. It is not often that we happen to be back in KK at the same time. I brought a few children's games to give to my niece and nephew. My own daughters have owngrown them.

Chicken Cha Cha Cha is a simple memory game and it is very easy to learn.

My sister Mei joined us to play Coconuts. I won! (6 cups stacked).

29 Dec 2019. I never managed to remember the rules of Villa Paletti. I find them a little convoluted. This is supposed to be a children's game, and an award winner.

Eventually we didn't play with the proper rules. Now the children were playing with it like a wooden block toy set.

Younger daughter Chen Rui (lying on the ground) feeling defeated by her two hyperactive cousins. All those wooden pillars all over the place.

Lauren being a good girl and helping to tidy up.

I'm joining in to play Chicken Cha Cha Cha, and I have no mercy on my nephew or niece. Pretty tail feather here I come!

11 Jan 2020. I played La Granja with Allen and Han. I had played once before, but had forgotten almost all the rules. So I had to learn from scratch. This is a player board. The three slots at the bottom are for inserting cards. When you insert cards this way, you gain special abilities. In this particular game, I did not like any of the special abilities on the cards I drew, and did not play any of my cards for their special abilities. In hindsight, that was probably a bad idea. If you play a special ability early, you will be making use of it throughout the game, and it should give you a decent advantage. I made one rule mistake for quite a number of rounds, making one more delivery per round than I was supposed to. Yet I still lost the game, despite this unfair advantage. Disgraceful!

This is the main game board. With 3 players, some spaces were off limits, and we blocked them off with game pieces.

Every round a number of dice are rolled and placed along this edge of the board. Players take turns claiming a die and taking the corresponding action. Once everyone has taken two dice, there will be one die left. Every player then gets to perform the action associated with that last unclaimed die. So you get to perform 3 actions in total.

Your player pieces represent different resources depending on where on the player board they are placed. You can see some arrows between some of the spaces. This means by paying a fee you may convert one resource to another. You do this by simply moving a player piece in the direction of that arrow. And paying, of course.

Along the edges of the central play area, you can see four of my (green) pieces. This means I have completed quite a number of missions on the main board. I must admit this achievement was due to me bungling the rules.

When a card is inserted at the top edge of the player board, it becomes a mission (or contract) you can complete. This is one of the ways to score points. You need to produce, manufacture or trade for the required resources, then deliver them.

23 Jan 2020. This kind of situation in Ascension is quite rare. Of the 6 cards in the card row, four are cost-8, one is cost-7, and one is cost-6. Normally even cost-6 cards are already considered very expensive. Having all cards being cost-6 and above meant for a long time we could only afford to buy the basic cards - Mystic or Heavy Infantry.

24 Jan 2020. We played Coconuts on Chinese New Year Eve after the family reunion dinner. My cousin Jia Cheng was pleased to have won the game.

Sunday, 22 March 2020

EJ Insight (Hong Kong-based news portal)

A few months ago a news editor from EJ Insight, a Hong Kong-based English language online news portal, contacted me and invited me to be a columnist. I wasn't sure I could keep to any regular schedule, so I suggested why not he take any article from my blog which he thinks works for his portal, and just acknowledge the source. That worked for him, so we agreed on the approach. He still had to do some editing, since his target audience and mine differed. He sent me the edited version to make sure I was OK before he released it.

At first I thought EJ Insight was some young tech startup. When I googled it, I was surprised to find that it is part of the Hong Kong Economic Journal, an old, established newspaper in Hong Kong (link: main website, in Chinese).

The main Hong Kong Economic Journal portal.

Three articles from my blog were edited and posted to EJ Insight. After that they stopped. I am guessing boardgame related articles aren't popular at mainstream news portals, so after trying a few articles, they could already decide to stop. Still, it was nice to have had my own columnist page for a short while. My first article released was Axis & Allies & Zombies.

Saturday, 21 March 2020

Tokaido app free download

The Tokaido app is free from now till 27 Mar 2020. I have played the physical version. Gameplay is so-so for me, but I love the artwork. The quality of the app is top-notch too.

Main screen.

Game in progress. At the top left you can see your character. Every character has a special ability. The three numbers are: red - current contribution to temples, blue - score, brown - money. The row of icons at the bottom are a representation of a segment of the game board. The game board is a path from Kyoto to Edo, divided into four segments. You travel one segment per day. There are various locations along the way. Where you stop gives you a different travel experience, which ultimately translates to victory points. There are various ways of scoring points.

The start and end of every segment are always inns, where you stop to rest the night and have a meal. When you play the game, it is possible to use only the row at the bottom to perform your actions. The main playing area becomes ornamental, but it certainly is pretty. The player icons at the bottom indicate where each player is on the Tokaido highway. The numbers next to the player icons are the scores.

This is the final inn in Edo, your destination. Once everyone gets here, you do the final scoring to see who wins.

At the final scoring there are quite a few awards to be given. This collector award is given to whoever has bought the most number of souvenirs.

The chatterbox award is given to whoever has had the most encounters (made the most friends during the trip).

You also score points for your donations to temples. This depends on how you rank against the other players.

I, um, am in the last place - that 66pt guy on the far left.

Sunday, 15 March 2020

Photosynthesis

Plays: 3Px1.5.

Photosynthesis was a farewell gift when I left my previous job in 2019, from Moon and team, so it has a special place in my heart. It is a beautiful game, and it did catch my attention when it was first released. I read a little about it, but did not go through the rules then.

The Game

3 Nov 2019. Chen Rui played half a game with Michelle and I. We had thought the game would be short, but it turned out to take much longer than we expected, so we didn't finish the game.

The game board is an empty plot of land. Players are different tree species, of different colours and shapes. You spread your seeds, grow them into trees, and eventually harvest the trees to earn victory points. As the game progresses, the game board transforms into a forest. At game setup, every player gets to place two small trees along the edges of the play area. You want to expand towards the centre, because trees harvested nearer to the centre are usually worth more points. The more leaf icons, the better.

This is a player board. You have the sunlight tracker at the top left. Sunlight is the currency of the game. You need to spend sunlight for all actions in the game. The top right section is your inventory of seeds and trees. When they are on your board, they cannot be used yet. You need to spend sunlight to take them into your hand, before you can place them onto the game board. The two rows at the bottom show the actions you get to perform. I'll start with the bottom row, which describes the sowing action. By spending one sunlight, you get one tree to produce one seed, and you place that seed on an empty space near the tree. If the tree is a small one, the seed may only be placed on an adjacent space. If the tree is a medium tree, the seed can be placed up to two steps away. If it is large, the seed can be placed up to three steps away. Sowing basically means fighting for space (or "chup" a spot, as Malaysians say), since every space allows only one seed or tree. The second row from the bottom shows the life cycle of a tree. By spending the indicated amount of sunlight, you get to grow the tree, from seed to small tree, to medium tree, to large tree, and eventually you harvest the large tree to claim a score tile. Each time you grow a tree, you need to have the next version of the tree already in hand. E.g. to grow a small tree to a medium one, you must already have a medium tree in hand, so that you can put it onto the board. The small tree is removed and goes back to your player board. To use it again in future, you need to spend sunlight to take it into your hand.

This is the blue player's board and trees, a very different flavour.

There are four stacks of score tiles, corresponding to the four grades of spaces on the board, from one leaf to four leaves. The score tiles have different values. Within each stack, they are sorted from highest to lowest. So the earlier you claim a tile, the better. In case a stack is exhausted, you claim your tile from the next lower valued stack.

One key concept in the game is photosynthesis (of course), which means collecting sunlight (the "money"). All trees exposed to the sun collect sunlight. In the photo above, that large yellow piece at the top left is the sun. The sun circles the game board in a clockwise manner, changing position every round. Each full cycle is one day, and the game is played over 3 days (4 for advanced players). The direction of sunshine determines whether a tree gets to collect sunlight. Trees directly facing the sun collects sunlight. Small trees collect 1, medium trees 2, and large trees 3. Trees may be blocked by other trees, including those of the same species. Trees block other trees of the same size or of smaller sizes. E.g. medium trees block both medium and small trees. The shadow, and thus blocking range, of trees differ by tree size. Small trees only cast a shadow of one space, and only blocks a small tree immediately next to it. Large trees cast a shadow of three spaces, blocking all trees within three spaces (in the opposite direction of the sun).

Every round starts with shifting the sun. Everyone then does sunlight collection simultaneously. After that each player takes a turn spending sunlight to perform actions.

The Play

11 Jan 2020. This time I played with Han and Allen.

Sunlight was coming from the lower right direction. The small blue tree would block the small green tree behind it. Next round the sun's position would shift clockwise, and the small green tree would still be blocked, this time by the other small green tree on the left. If the blocked tree grew into a medium tree, it would no longer be blocked by these small trees, but then these two small trees might grow too, and block it again.

These were our out-of-play components. At the start of the game, all player boards are full. Each player has two small trees on the board, and some seeds and trees on hand. Whenever you do a growth action on the board, the component (whether seed or tree) being replaced is to be returned to your player board. If your player board is full, that component is put out of play. Components are limited, and some components being out of play means you have less flexibility. If you want to avoid components being put out of play, you need to spend sunlight to take components from your player board into your hand, freeing up space. Having more components in play is beneficial, because the sunlight cost of taking components from the player board varies. The more components you have in play, the easier it is for you to use the cheaper spaces. However, sometimes it is hard to avoid wasting components when you need to spend sunlight urgently to fight for prime real estate.

I was green, Allen blue, and Han yellow. In our game, I hurriedly squatted at the central spot, because that was the most lucrative spot.

The six corner spots are the safest in terms of catching sunlight. For 3 out of 6 rounds per day, you are guaranteed to have sunlight. I was in no hurry to grow my trees at these corners, because at least half the time they wouldn't be blocked.

The nearer a tree is to the centre, the more likely it will get blocked. Look at those pitiful small trees surrounded by larger trees.

Locations nearer to the centre are more lucrative, so you do want to fight for more central spots. Also the earlier you harvest, the better. However I suspect ultimately quantity is more important than quality. If you manage to harvest more times than your opponents, I think you will likely win. Only when you are tied in the number of harvests made then quality determines the outcome. This was what happened in our game. Han managed to plan for and execute more harvests. Although some were done at less ideal locations, his total score was eventually comfortably ahead of us.

The number of rounds in a game is fixed. The game is an open information game. Towards late game, many steps can be calculated accurately. It takes at least five rounds for a tree to complete its lifecycle, from seed to small, then medium, then large tree, and finally being harvested. If you want to harvest at a particular spot, you know your sowing deadline is 5 rounds before the game ends. The game can slow down towards game end when everyone tries to maximise those final rounds.

There's a fox under this tree. In the game there are other animals too.

That large (green) tree at the centre was mine. I occupied this spot for a long time before finally harvesting my tree. Everyone has only two large trees. They are not easy to block, and they absorb much sunlight. It can be a painful decision to harvest it, because your sunlight income will drop. It's a tricky thing to manage. You still have to harvest because that's how you score points.

There are two optional advanced rules. Once you are familiar with the game, you should play four days instead of three. I suspect this will shift the balance of the score tiles. More will be claimed, and it is also more likely some stacks will be exhausted, and the next stack used.

The second advanced rule is seeds and trees may not grow if in shade. This should be interesting and much more challenging. Many trees in the photo above would be stunted. The board dynamics would change.

In the final few rounds, there is less incentive to sow or to grow trees, because there wouldn't be enough time to harvest. Players would be carefully calculating ROI (return on investment). Leftover sunlight is worth points (1VP per 3 sunlight) so you don't want to waste sunlight.

The Thoughts

Photosynthesis is beautiful and eye-catching, but it is not a light and breezy game, as the artwork and theme might suggest. It is anything but harmonious. It is cutthroat and competitive. You fight to grab land. You block sunlight to starve your opponents. It is a perfect information game with no randomness, so it feels chess-like. It taxes the brain, sometimes it is even intimidating. Sometimes players will take a long time to think, and this may be annoying to impatient opponents. I would say the ruthless competition is true to the theme. Trees in a forest do fight for sunlight. It's the law of nature.

Sunday, 23 February 2020

boardgame chain

Oct 2019. I decided to do a minor purge of my collection. I got into the hobby around 2003, and over 16 years I had acquired about 250 games. Many of them had not been played for years. So I wanted to give them away to people who would play them. Why giving away instead of selling? I had thought about my objective. My objective was to have the games played. Boardgames should be played, and they should bring joy to people. I also wanted to declutter my home and make space. Another consideration was I didn't want to deal with the hassle. I imagined if I tried to sell the games, the buyer would ask for photos and component checks (which were reasonable). Finding buyers would likely take time too. When I listed the games as free, they were all claimed within 12 hours. Later, I found that even when giving games away, there was much effort required - making appointments, reminding people, needing to stay home to wait.

After picking all the games I was ready to give away, the first thing I did was getting approval from the board - my family. Sure enough, they vetoed a few games. Next, I offered the games to a few gamer friends. They claimed some. Finally I went to the Facebook group Board Games To-Go (MY) to offer the rest. I set two conditions. (1) You have to come pick it up yourself. (2) You will play the game within 30 days, take a photo, and send it to me. In every box I put a sheet of paper. On that sheet of paper I wrote my email address, as the first item of a list. I asked the recipient of the game to add his email, then play the game and take a photo, and finally send the photo to every email address on the list, i.e. to all past owners of the game. I asked that when he or she no longer played the game, to give it to someone who would play it. This was how I wanted to create boardgame chains. I set my own expectations that this might not work as I hoped. Afterall, the people whom I was giving games to were mostly strangers. These below are some of the games I gifted, and friends I made along the way.

These were the initially shortlisted games. Games vetoed by my wife and children were Monopoly Express, Rabbit Hunt, Carcassonne: Discovery and Confetti.

These are Spielbox mini expansions. Log from Meeples Cafe has been giving me copies of the Spielbox magazine for years, and I stash away every mini expansion that comes with the magazines. However I rarely get to use them, because I usually don't own the corresponding games. I decided to give these away. I offered them to friends I know, then fellow boardgamers I met at boardgame sessions, and finally I asked Meeples Cafe for permission to leave the box with them, to allow their customers to take any expansion they fancy.

Caesar & Cleopatra was gifted to Ong Dun Chuan. I bought this around 2003 when I was in Taipei. It was one of my earliest games, and there is certainly some sentimental value, but I am happy to see it get played again.

Sblap went to Yusup. This is a children's game / casual game and a word game.

Mykerinos went to Jason Law. This is one of the earlier worker placement games. It was published by Ystari (who published Caylus).

Zombie Tower 3D went to Sea Lin Yao. This is one eye-catching game because of that 3D tower.

Trias went to Abraham from Vivae Boardgame Cafe. This is an older game. It has dinosaurs and tectonic shifts. Something a little different.

Kingdoms of Crusaders went to Choe Chee Kong. This is a 2-player card game from Russia. It has some similarities to Lost Cities.

Victory: The Blocks of War went to C. E. Chua. This is an old Columbia Games block game. This has sentimental value too, because I bought it even before I became a boardgame hobbyist. I had only played it a few times. After I got into the hobby, I never played it again, because by then there were plenty of other games I chased after. So I never revisited it. It is great to see it played again.